In the toughest competitive environment ever, a winning strategy includes OPTIMOD-FM 8700. OPTIMOD-FM 8700 is Orban’s flagship processor. Featuring versatile five-band and two-band processing for both analog FM transmission and digital media, the 8700 provides the industry’s most consistent sound, track-to-track and source-to-source. This consistency allows you to create a sonic signature for your station with the assurance that your signature will stay locked in, uniquely branding your sound. The 8700 builds on 8600 V4’s outstanding reliability and industry-leading sound quality. It adds Ravenna audio-over-IP connectivity (100% AES67 compliant) and a hot-swappable, dual-redundant power supply with automatic failover. A digital MPX output using a 192 kHz AES3 connection is now standard, as are two digitized SCA inputs. A new program-adaptive subharmonic synthesizer ensures punchy bass, even with older program material. An important feature is a phase skew corrector/multipath mitigator that ensures crisp reception when receivers blend to mono and minimizes energy in the stereo subchannel without compromising separation. The phase skew corrector uses a proprietary multidimensional processing algorithm that can simultaneously correct multiple phase problems, like a combination of analog tape gap skew and comb filtering caused by multiple-microphone pickup of a single instrument in the original recording session. Learn More
In the toughest competitive environment ever, a winning strategy includes OPTIMOD-FM 8600.
OPTIMOD-FM 8600 is Orban’s flagship processor and the next step beyond the OPTIMOD-FM 8500. There are two versions of Optimod-FM 8600. Model 8600HD is the full FM and Digital Radio version and the analog FM-only version is 8600FM. Featuring versatile five-band and two-band processing for both analog FM transmission and digital media, the 8600 provides the industry’s most consistent sound, track-to-track and source-to-source. This consistency allows you to create a sonic signature for your station with the assurance that your signature will stay locked in, uniquely branding your sound. The 8600 provides stereo enhancement, equalization, AGC, multiband compression, low-IM peak limiting, stereo encoding, and composite limiting — everything that even the most competitive major market station needs to stand out on the dial. More than 20 excellent sounding, format specific factory presets get you started. You’ll find all of your favorite 8500 presets, plus new “MX” presets designed by Bob Orban and Greg Ogonowski to exploit the exciting possibilities inherent in the 8600′s new peak limiter technology. Although the factory presets are fully competent “out of the box, you can customize them with easy one-knob LESS-MORE control in Basic Control, with 50 parameters Intermediate control or with more than 120 in the Advanced controls, whose versatility will satisfy even the most finicky on-air sound designer. The 8600 offers 8500-style processing too. This allows broadcasters to run favorite 8500 presets if they wish. Learn More
THE multipurpose Stereo Digital Audio processor for Digital Media
The Orban 6300 is a high-quality, multipurpose stereo audio processor for digital radio, digital television, netcasts, STL protection, satellite uplink protection, and digital mastering. Orban’s all-digital Optimod 6300 Audio Processor can help you achieve the highest possible quality digital audio broadcast, digital television, and netcast audio processing. Thanks to versatile signal routing, the 6300 can also serve as a studio AGC with an all-digital signal path, and simultaneously as a talent headphone processor. Because all processing is performed by high-speed mathematical calculations within digital signal processing (DSP) chips, the processing has cleanliness, quality, and stability over time and temperature that is unmatched by analog processors. OPTIMOD 6300 is descended from the industry-standard OPTIMOD audio processors for radio and television. Thousands of these broadcast-specific processors are attracting and holding audiences all over the world. They have proven that the “OPTIMOD sound” can attract and keep an audience even in the most competitive commercial environment. Learn More
Competitive OPTIMOD sound in a compact package at the most affordable price ever.
OPTIMOD-FM 5500 puts coveted five-band and two-band OPTIMOD processing into a single rack unit package and brings it to you at the most affordable price ever. Quality sound is what 5500 is all about—sound that attracts audiences by providing a polished, professional presentation regardless of format and source material. Exceptional versatility allows you to adjust the processor’s audio texture to brand your audio, knowing that the resulting signature sound will remain consistent, cut-to-cut and source-to-source. Branding builds businesses and no other processors have the consistency to brand your sound like OPTIMOD. With the 5500, your signature sound is just a preset away. An easy, one-knob Less/More adjustment allows you to customize any factory preset, trading cleanliness against processing artifacts according to the requirements of your market and competitive environment. Full Control gives you the versatility to customize your audio further. And, if you’re a hard-core processing expert, you can explore Advanced Control to tweak presets at the same level as Orban’s factory programmers. This versatility makes the 5500 a superb choice for any format. Its five-band processing is ideal for any pop music format (even the most competitive and aggressive CHR), while phase-linear two-band processing yields ultratransparent sound for classical, classic jazz, and fine arts formats. Regardless of your choice, 5500′s optimized technology ensures unusually high average modulation and coverage for a given level of subjective quality. Unlike many lesser processors, the 5500 handles speech particularly well. It’s always clean, even when you process for loudness. If you’re concerned about latency because you need to feed live talent headphones off air, be assured that the 5500′s ultra-low-latency (5 ms delay) processing will keep the most finicky talent happy. Or use optimum latency (15 ms delay) processing for the most competitive sound with delay that’s still low enough to satisfy most any talent. Learn More
Artifact-Free Automatic Loudness Control Requires Much More Than Just “Processing for the BS.1770 Meter.”
Orban’s flagship OPTIMOD TV 8685 surround/stereo television loudness controller builds on Orban’s 30+ years experience in television audio processing to provide audibly transparent automatic loudness control and dialog intelligibility control for one surround program (up to 7.1) and four stereo programs simultaneously. The stereo processing can operate in dual-mono mode, so it can process four subchannels in stereo or eight subchannels in mono. The OPTIMOD TV 8685 is Orban’s second-generation surround/2.0 processor offers standard AES3id and SD, HD-SDI (3G) input/output and audio routing capabilities that include support for optional Dolby-E encoding and decoding. Dual redundant power supplies help ensure maximum uptime where a relay provides hard-wire safety bypass from the SDI input to the SDI output in case of hardware failure. The OPTIMOD TV 8685 is dialnorm-aware. Loudness control is excellent when measured by the ITU BS.1770 standard (as specified in ATSC A/85:2009) or by the OPTIMOD TV 8685′s built-in CBS Loudness Meters. When properly installed and set up, the OPTIMOD TV 8685 will automatically make a station compliant with the CALM Act or EBU R128. In stereo mode, the four stereo processors can be made pre-emphasis aware, allowing the OPTIMOD TV 8685 to be purchased for immediate use with analog transmitters with the assurance that it will provide no-compromise processing for digital transmissions when the need arises. A second use for the stereo processors is processing up to four different languages in DTV program streams. Learn More
Netcasting is once again making headlines in business publications. Thanks in part to streaming-enabled 3GPP devices, some analysts see netcasting as supplanting broadcasting because netcasting offers a virtually limitless number of programming formats, and is now untethered. Until now, most of the public has associated netcasts with low quality, due in part to inferior codecs like Windows Media Audio. There is a dramatic difference between the audio quality of a typical FM broadcast and a 32 kbps stereo WMA stream. The FM sounds punchy, while the WMA stream sounds like it’s underwater and phasey. Indeed, the only reason why many netcasters have compromised on WMA is that Microsoft has used its monopolistic power to package a WMA player in every copy of Windows ®. There is a better way, and it’s based on worldwide open standards. MPEG-4 HE-AAC v2 (also known by its trade name of aacPlus ® v2) delivers higher audio quality at lower bandwidths than any other audio codec technology currently available. This saves operating costs while improving audio quality and stream reliability. aacPlus v2 provides extremely stable audio quality over a wide bit rate range, making it the first choice for all application fields in mobile music, digital broadcasting, and the Internet, including podcasting. In rigorous double-blind listening tests conducted by 3GPP (3rd Generation Partnership Project), aacPlus v2 proved its superiority to its competitors even at bitrates as low as 18 kbps. Hence, 3GPP mobile streaming has standardized on the aacPlus codec. Surprisingly, some mobile carriers are not standards-based, instead employing closed systems using Microsoft streaming solutions with very poor audio and video quality. Learn More